Showing posts with label logos/marks. Show all posts
Showing posts with label logos/marks. Show all posts

9.25.2016

Business Card Inspiration

As an instructor, I post quite a lot of this type of site— the "inspiration sites." I love the craft of designing a business card, and often the examples I refer to  take the format of the business card to completely new dimensions: stainless steel cards, cards printed on wood, innovative shapes, and incredible folding forms.
Every so often though, I like the more restrained. The reality of being a designer is that the vast majority of clients aren't amenable to spending a small fortune to print on custom fabricated fiber-glass and aluminum cards using specially formulated ink. The parameters of the pragmatic job also require occasional external inspiration.
Here's a site that focuses on that.

12.20.2014

Typography Tips and Tricks…

A student (Chris Uran) share this one via FB. Great article (although some of the tips I am not 100% onboard with) but by and large its "on" and a great resource read. Thanks Chris!

5.28.2014

Goodbye Signor Vignelli...

Massimo Vignelli passed earlier on May 27. 2014, after a long illness.

Many of my students will know him from the movie "HELVETICA," where he was presented as the elder-statesman for the camp of modernist design voices in the film who were outspoken in their support of the helvetica font.

To me he was the guru of branding in communicative design, and a contemporary extension of the clean and efficient aesthetic expressions of guys like Rietveld and van der Rohe.

I remember (from the early days of computer-driven design) hearing the story of how Vignelli insisted that all designers start their work with a moleskin idea book—pencil and paper first—before even touching the computer. Whether that was apocryphal or canon doesn't matter. It represents a 'clarity of thinking and ideas' (as Vignelli expressed in some interviews) that resulted in a design solution that effectively and efficiently communicated.

RIP  Mr. Vignelli.



check out the Times article on  Mr. Vignelli's passing.

5.24.2013

Branding Cleverness...

Graphic Designer and Art Director Ben Pieratt has created a brand. That alone isn't news, since visually articulating a brand is at the heart of what most designers working in Marketing Communications (or Advertising, or  Brand cultivation, or whatever pseudonym for Advertising you care to use) do regularly.

More interestingly, Pieratt is exploring the concepts and constructs of branding itself. He has taken the  very definition of brand, and flipped it upside-down. He has worked from the visual end, and created the roots for a brand and put it on the free-market auction block.
To me, this is more of an exercise in brand development—the equivalent of taking the design adage of "form follows function" and turning it on its ear...creating the form first and then finding the function for it.

While the pragmatism of creating and cultivating a visual brand beforehand, then later matching it with a product or service is intriguing and an exercise in "purposeful vagary," it can also be viewed as the equivalent of off-the-rack fashion—something unheard of in the early twentieth century, yet the preferred mode by mid-century.

On a personal note, Pieratt's brand reminds me of the bright, geometric design of the mid-eighties (as used by brands like Letraset at the time). I love the retro, yet very hip'n'cool feel.

Check out Pieratt's HESSIAN brand!
(link image below)


4.12.2013

Color Psychology in Mark Creation

courtesy the Visual.ly website: a basic primer on color psychology in the design of Marks (yep...the mo' better and proper name for what most folks will call logo). The psychology bit  is contestable, as it complies to a western cultural norm...but none-the-less worth studying, understanding, and then exploring.

Color Psychology in Logo Design

1.06.2011

STARBUCK's NEW LOGO...



Let the debate begin.


Pundits are either hailing or criticizing the latest incarnation of the Starbucks Logo. Logo redesign is not unique to Starbucks, but they have the corporate audacity to elevate their mark (the correct term for what students commonly call logo) from a mixed mark (meaning type integrated) into an icon (no typography). Old timers will remember the Greg Berryman "Notes on Graphic Design..." book that elucidates these levels of marks.

The fact is laid out that Starbucks may drastically change its business model in some way, and potentially its core business and target market/s. So the time is ripe for a change in mark. But do they have the iconic status of companies like Nike, Pepsi and Apple? Do they have the brand loyalty and high equity? I'd say yes... and they are following the logical (Berryman-ian) progression of their mark as such.

Anyone with small children knows the power of the golden arches. When you drive by a McDonald's (and long before your children can read) they point gleefully at the arches and cry for McDonald's.
Starbuck's mark, as wonky as it may have been--mired in greek mythology and Seattle folklore-- is instantly recognizable. To overhaul that mark (versus tuneup) would be too many steps back in the equity it has built.

fastco article on Starbuck's mark overhaul

12.28.2010

"BRILLIANT" logos... (REDUX)

I originally posted this several months ago in its original form. I since have update the link to two source blog sites. This was a response to a cavalcade of student logos that I find either lacking, or overworked (think of a solarized band logo for 'that dude he knows' band). It even garners a comment by one of my old instructors / a Milwaukee Metro market design business owner.

What is a logo anyway? A textbook answer might be something like: "A mark that articulates the brand to the world..."

There are a lot of very good logos in the world that are examples of great design, and just as many that aren't. Funny thing is, successful logos populate both camps. Some have figured out a way to create a memorable visual hit upon the viewer without being design world darlings.

I think the commonality is the effective research and processing of communication and marketing information, organizing and prioritizing that data to desired short and long term outcomes, and the skill at visually expressing everything in support of the developing brand.

If it is done with a high-minded design school flair, or a practical everyman visual style, the logo then requires repeated exposure to the public, and popular support and commitment. It also doesn't hurt to be clever. Sometimes clever can backfire a bit (think Red Dog beer a few years back)--so peruse some examples of clever, but not too clever... [link below]

brilliant logos 1
brilliant logos 2